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immersive museum by SHVETS (480 x 240 px)
immersive museum by SHVETS (480 x 240 px)
Laura Marsden returns to Counterculture Partnership LLP as Partner
Kate May • 28 Sep 2020
The Great Outdoors
Stephen Escritt • 25 Mar 2021
A cuppa and a catch-up with Counterculture Creative client, Rajan Datar
Kate May • 2 Dec 2024
Consultants – So what is it you do exactly?
James Coe • 25 Nov 2024
Ema Linaker gives her Top 5 predictions for UK culture, entertainment and hospitality 2025
Ema Linaker •
UK Music Commissions Counterculture as Research Partner for Groundbreaking UK Black Music Report
Wendy Cave • 5 Jul 2024
Creative Regeneration: Counterculture develop innovative Three Pillar Model
William Chamberlain • 22 Feb 2024
An Interview with Suzi Ronson – David Bowie’s stylist, writer, and Counterculture client
Sachin Kureishi • 20 Feb 2024
Compliance and Risk for Charities
Tom Wilcox • 22 Dec 2023
Franchising a business
Strategic leader and concert clarinettist – Shelley Twitchin
Kate May • 23 Oct 2023
Flu-id strategies for managing sickness absence
Leadership, connection and growing your power
Sharon Armstrong-Williams • 29 Sep 2023
Sheila Lumsden OBE speaks at the Study UK GREAT Scholar Awards
Billy Laser •
Settlement Agreements – 8 points to consider when resolving employment disputes
Latest Charities Act Reforms – taking a closer look
Need a better strategy? Advice for Senior Leaders in cultural and social enterprise sectors
Billy Laser • 15 May 2023
Counterculture welcomes Steve Hyde as a Partner in the firm
Tom Wilcox • 28 Feb 2023
Counterculture Partnership LLP welcomes peerage for its President, Tom Watson
Tom Wilcox • 22 Dec 2022
Higher Education: Lots of Things All at Once
James Coe • 9 Nov 2022
Cultural leader and experienced arts manager, Jenny Langlands, joins Counterculture Partnership LLP as a Partner
Tom Wilcox • 28 Oct 2022
Counterculture Partnership LLP is delighted to announce Rafiat Lagundoye as an Associate
Tom Wilcox • 26 Oct 2022
What Next After NPO Announcements? Managing Shifts in Uncertain Times
Andrea Nixon MBE • 24 Oct 2022
Record Deals and how to successfully negotiate with labels
Counterculture appoints strategic thinker and higher education changemaker, James Coe, as new Partner
Tom Wilcox • 27 May 2022
The National Museum of Norway
P&O Dismissals: Employment law all at sea?
Can we just talk? Marketing in 2022
Illy Jaffar • 9 Feb 2022
A journey: from London’s City Hall with Ken and Boris to music, arts and the third sector
Darren Johnson • 8 Feb 2022
The future of the Events industry
Simon Beresford •
Complex futures in Tertiary education
Alan Roberts • 26 Nov 2021
Fit for the future? It’s time for the cultural sector to shift the way it thinks about digital
Jane Finnis • 24 Nov 2021
Menopause at work and the employment law supporting it
Employment status: a look at what we have learnt from the Uber drivers case
When appearances do matter
Val Young • 21 Sep 2021
The End of the Furlough Scheme: Key Considerations for Employers
The rights price: music catalogue sales
The 21st Century Is No Longer Knocking, it’s Barging In: Are You Ready?
Beatriz Pizarro – Aparicio • 29 Jun 2021
Data Protection Update: The Children’s Code
Five new partners announced as Counterculture expands and diversifies
Tom Watson • 28 May 2021
Anti-Money Laundering and the Art Market
Simon Beresford announced as new Creative Director at Counterculture
Tom Watson • 7 May 2021
Learning from Education
Alan Roberts • 25 Mar 2021
Festival Academy
The Business of Change
Illy Jaffar • 24 Feb 2021
Access to Justice is the hallmark of a civilised society
Christopher MacCafferty • 20 Jan 2021
Building the Arts
Chris Potts • 17 Dec 2020
Food for thought. Tonic London considers the future of the hospitality industry
Duncan Ackery • 19 Nov 2020
Counterculture at Connecting Culture
Kate May • 8 Sep 2020
Support for the Coronavirus Job Retention Scheme
Museums and Galleries tax relief
Setting up in business
Do CIO constitutions contain a provision for entrenchment?
