Dinah Birch

Counterculture appoints strategic thinker and higher education changemaker, James Coe, as new Partner

Tom Wilcox • 27 May 2022

Anti-Money Laundering and the Art Market

Now hiring – Bid Coordinator (Business Development)

Kate May • 22 Jul 2024

UK Music Commissions Counterculture as Research Partner for Groundbreaking UK Black Music Report

Wendy Cave • 5 Jul 2024

LIFT Festival – Noa Bladon reflects on her role

Billy Laser • 26 Jun 2024

Alan Roberts: innovative approaches to Students’ Union collaboration

Uzma Johal MBE joins Counterculture as a Partner

Tom Wilcox • 24 May 2024

Creative Regeneration: Counterculture develop innovative Three Pillar Model

William Chamberlain • 22 Feb 2024

An Interview with Suzi Ronson – David Bowie’s stylist, writer, and Counterculture client

Sachin Kureishi • 20 Feb 2024

Compliance and Risk for Charities

Tom Wilcox • 22 Dec 2023

Franchising a business

Strategic leader and concert clarinettist – Shelley Twitchin

Kate May • 23 Oct 2023

Flu-id strategies for managing sickness absence

Leadership, connection and growing your power

Sharon Armstrong-Williams • 29 Sep 2023

Sheila Lumsden OBE speaks at the Study UK GREAT Scholar Awards

Billy Laser •

Settlement Agreements – 8 points to consider when resolving employment disputes

Latest Charities Act Reforms – taking a closer look

Need a better strategy? Advice for Senior Leaders in cultural and social enterprise sectors

Billy Laser • 15 May 2023

Counterculture welcomes Steve Hyde as a Partner in the firm

Tom Wilcox • 28 Feb 2023

Counterculture Partnership LLP welcomes peerage for its President, Tom Watson

Tom Wilcox • 22 Dec 2022

Shrewsbury Flaxmill Maltings Restoration

Sarah Morris • 23 Nov 2022

Higher Education: Lots of Things All at Once

James Coe • 9 Nov 2022

Cultural leader and experienced arts manager, Jenny Langlands, joins Counterculture Partnership LLP as a Partner

Tom Wilcox • 28 Oct 2022

Counterculture Partnership LLP is delighted to announce Rafiat Lagundoye as an Associate

Tom Wilcox • 26 Oct 2022

What Next After NPO Announcements? Managing Shifts in Uncertain Times

Andrea Nixon MBE • 24 Oct 2022

Record Deals and how to successfully negotiate with labels

The National Museum of Norway

P&O Dismissals: Employment law all at sea? 

Can we just talk? Marketing in 2022

Illy Jaffar • 9 Feb 2022

A journey: from London’s City Hall with Ken and Boris to music, arts and the third sector

Darren Johnson • 8 Feb 2022

The future of the Events industry

Simon Beresford •

Complex futures in Tertiary education

Alan Roberts • 26 Nov 2021

Fit for the future? It’s time for the cultural sector to shift the way it thinks about digital

Jane Finnis • 24 Nov 2021

Menopause at work and the employment law supporting it

Employment status: a look at what we have learnt from the Uber drivers case

When appearances do matter

Val Young • 21 Sep 2021

The End of the Furlough Scheme: Key Considerations for Employers

The rights price: music catalogue sales

The 21st Century Is No Longer Knocking, it’s Barging In: Are You Ready?

Beatriz Pizarro – Aparicio • 29 Jun 2021

Data Protection Update: The Children’s Code

Five new partners announced as Counterculture expands and diversifies

Tom Watson • 28 May 2021

Simon Beresford announced as new Creative Director at Counterculture

Tom Watson • 7 May 2021

Learning from Education

Alan Roberts • 25 Mar 2021

The Great Outdoors

Stephen Escritt •

Festival Academy

The Business of Change

Illy Jaffar • 24 Feb 2021

Access to Justice is the hallmark of a civilised society

Christopher MacCafferty • 20 Jan 2021

Building the Arts

Chris Potts • 17 Dec 2020

Food for thought. Tonic London considers the future of the hospitality industry

Duncan Ackery • 19 Nov 2020

Laura Marsden returns to Counterculture Partnership LLP as Partner

Kate May • 28 Sep 2020

Counterculture at Connecting Culture

Kate May • 8 Sep 2020

Legal Protections for Musicians – Part 1 – Copyright

Protect your charity from fraud

Prize Competitions – Naming winners and data protection

Time for some real work?

Chris Potts • 19 Nov 2020